She sits on the steps at the front of the sanctuary. Her brow is furrowed; her lips pressed together in a fierce, defiant pout. She wears a white angel robe made from an old sheet, and cardboard wings that she painted herself are tied to her back, their ribbons forming an X across her chest. They’re slightly crooked, as is the pipe-cleaner halo that sits on her head, dipping slightly toward one ear. As she stomps back to sit next to me in the pew with stormy reluctance, I wonder how we’re ever going to make it through the children’s Christmas program.
You can probably picture it.
And you can probably picture, too, her brothers: one big, one small. They’re both dressed in bathrobes and capes and crowns, a not-exactly-historically-accurate conjuring of the “wise men from the East”. One holds a graham cracker box covered in shiny silver foil and stick-on gemstones. The other swings a cord from which hangs a purple and blue mirrorball. It’s hollow, and while it originally held an overpriced beverage at the Eras Tour concert, it is something you could, with a little imagination, pretend now contains gold or frankincense or myrrh.
Around them in the sanctuary, other children mill about: more angels and wise men, and shepherds with dishtowels draped over their heads. Some come sporting fleecy jackets or vests, dressed as sheep with cotton balls glued to paper ears they've pinned on hoods or headbands. Here and there among them are the occasional cow or donkey; at one point a dinosaur runs past me. I laugh out loud, because I can’t help but think that of course a T-rex has a place here, amid the chaos, where the Creator who made dinosaurs and sheep and stubborn little girls finds a place in the world He made.
And then the story begins, led by a lanky youth minister in a shepherd’s robe and sandals. He grins, inviting children up to the front as each character enters the narrative. I take a breath, readying myself for an intervention as my grumpy little angel slides off the pew. But she surprises me and steps up quietly, turning to face the congregation with big eyes and a solemn face. She stops beside a girl a few years her senior and glances up at the cardboard star the other child holds above all their heads. She watches as the story plays out.
She watches.
She listens.
The shepherds and animals and wise men come forward to where a smiling mom and dad, holding their baby, play the parts of Mary and Joseph and Jesus. The kids kneel and the congregation sings. At one point, the baby spits up and his parents blush bright red and I smile big because how many times have I wondered about the humanity of Jesus as a baby?
And then it’s over, and the chaos spills out of the sanctuary and it’s like somebody turned up the volume knob. Kids chase one another through the forest of adults, weaving their way back to their parents occasionally to ask for just one more Christmas cookie. Parents nod (it’s Christmas, after all!) and try to finish up their conversations, well aware of the fact that bedtime is fast approaching and well-sugared kids aren’t likely to go down without a fight.
By the time my own circus leaves, the parking lot has emptied considerably. There’s no snow on the ground, but the air is cold, “piping for the blood to dance to”. * We leave the city lights behind, driving down dark country roads toward home, but the night isn’t completely black. Scattered among the fields and forests around us are Christmas lights in jewel tones: merry red, bright blue and green, warm yellow and orange and white.
We are all quiet now, staring out the windows. I speak softly, asking my children what they thought of the Christmas program. Really, I’m just trying to gauge if they liked it or not; if we’re going to be doing it again next year. But what I get gives me a lump in my throat that comes back now as I think about it again.
“I liked it. Especially the part where we got to kneel by the manger. The floor was kinda hard, and my knees hurt after a while… but yeah. That was my favorite part.”
They’re little, these kids of mine. Six and four and one. You’d think they’d have said they liked the cookies or the dressing-up or maybe the music.
But no.
They got it, in a way that it’s so terribly easy for me to miss, even though I try to keep reminding myself of the real “reason for the season”. Maybe it’s easier for them, because they’re so little yet? All they have to do is hear the story, put on a costume, and imagine what it might have been like, and everything else falls away, even the hard floor pressing against their knees, and there they are. Not in a warm, brightly-lit church. Not looking at a clean prop of a manger. But out somewhere in the dark. The ground hard and cold beneath them. Their Creator lying before them, unable to direct even his own tiny flailing fists. Wonder singing in their little souls.
*Charles Dickens, A Christmas Carol






